Ask Bill – April 4, 2022
1) Of all the songs you have recorded, are they all songs you have written or do you occasionally record a song written by someone else?
I have recorded quite a few songs that I didn’t write. Ones you might have heard include Golden Guitar, World Of Make Believe, Peanuts & Diamonds, I Wonder If God Likes Country Music, Don’t She Look Good, But You Know I Love You, and several others. When it comes time for me to record, I don’t care whether I wrote the song or not. I just want to cut the best songs I can find.
2) Did you ever meet Stringbean (Dave Akeman) and his wife, Estelle? What are your favorite memories of the couple?
Of course I knew “String,” as we all called him. He and I were both Opry members and shared many stages together. He and Estelle were two of the kindest, most unassuming people I have ever known. My favorite memories of them as a couple would be the nights she would drive him to the Opry (String never got his driver’s license), stay around backstage while he performed, and, when the show was over, pick him up in the alley out back of the Ryman to drive him home. String was a big baseball fan (the Braves, of course), and we talked baseball every chance we got. He told me once as we rode with several other entertainers to a concert date together, “Billy Boy, everybody in this car is crazy except me and you.” He took a big puff of his pipe and added, “And I’m not too sure about you!” How could you not love a man like that?
3) I’m wondering if Opry members and/or guest performers are paid for their appearances and, if so, how much?
Yes, everyone who appears on the Opry gets paid. The musicians are paid union scale as determined by the American Federation of Musicians. The featured performers are paid union scale through AFTRA, the American Federation of Television & Radio Artists. When someone performs on a televised portion of the show, or on a portion broadcast via satellite radio, that scale increases. It also increases when an artist is inducted into the Country Music Hall of Fame. All scales are adjusted periodically for cost of living increases. Nobody ever got rich enough to retire by strictly working the Opry, but the pay has definitely improved over the years. My first Opry check in 1959 was for $12.22.
Our “Question of the Month” comes from Milton in Kentucky: What went into the decision process of how many singles to release from an album in past decades? In the 60’s, you released one or two singles per album, but by the 80’s some artists had albums from which they released as many as five singles. As a fan, fewer singles meant another album soon, and more singles meant having to wait longer for a new album. What made the difference with the artist and the record company?
That’s a great question, and I’m not sure there’s a “one size fits all” answer. Back in the day, we used to fill about half of the slots on an album with songs that had been hits for other artists, the belief being that “titles sold albums.” Therefore, when a 12-song album was released, half of the songs were already eliminated as possible singles because they had recently been out and been hits by other people. So, if an artist got as many as three singles from one LP, he or she was doing well. As that trend began to fade, and albums began to contain more and more previously unreleased material, there was a larger number of songs from which the artist and the label might choose singles. And, as you said, sometimes an album could spawn up to five or more singles. In the final analysis, releasing music has always been and still remains a guessing game. We all have to wait for the public to ultimately tell us how wise our choices are. Or maybe how dumb.
Quickies: Have you ever turned down a song that later became a hit record? Or have you ever had an album cut that later became a hit for someone else? Yes to both questions. I turned down “Funny How Time Slips Away” back in the sixties, and I had the original recording of “When You Leave That Way (You Can Never Go Back)” in an album in 1984. It became a Top 20 hit for Confederate Railroad in 1993. What gift have you received from another performer or acquaintance that means the most to you? My old Grammer guitar that had been missing for fifty years and was returned to me by a pawn shop operator from Phoenix a few years ago. He could have probably sold it and made some good money, but he saw that it had originally been made for me, and he tracked me down to see if I would like to have it back. Unselfish gifts are the best gifts, and that one was about as unselfish as they come.
Thanks for another month of great questions. If you’re curious about something related to country music, ask me about it and I’ll do my best to get you an answer. Send your question to askbill@billanderson.com, and remember if yours is chosen as our Question Of The Month, you will receive any item of your choice from our online store free of charge. See you back here next month.
