FROM BILL
Hi Gang:
I know what you are expecting. You’re expecting me to start off this month’s newsletter the same way I do every October…by telling you it’s my favorite month of the year. This year, though, I think I’ll skip that part and jump straight into the deep end of the pool.
(But just in case you’re wondering, this is “still” my favorite month and favorite season of them all!)
September was busy although I didn’t appear on the Grand Ole Opry or engage in any live performances at all. I did write several new songs, though, and enjoyed having a few of my new co-writes recorded: Those include “Today’s A Good Day” by Theo Lawrence (many of you have written to say how much you like this record and especially appreciate the fact that it’s “country.” I can’t argue with you there); a second song this year by Rhonda Vincent for the upcoming Jeannie Seely tribute album; and a new group that’s been on the Opry several times lately, the Shootouts, cut a new song they wrote with me and Bobby Tomberlin. I love all this new music activity…it’s a big part of what keeps me going!
I plan to go back to the Opry this month for two shows on the 3rd, which is the night of the Opry’s 101st birthday celebration, one show on Halloween night, the night before my birthday, and on November 6th when the Opry will feature Steven Curtis Chapman and his family, including his adopted daughters. The show that night will focus on adoption, and since I have an adopted granddaughter, they’ve invited me to take part. I haven’t promised Sophie that she can come onstage and sing, but I’ve told her the night is dedicated to people like her and she’s excited to be going with me. Stay tuned.
The dates aren’t locked in yet, but I hope to do an Opry Christmas show or two during the holiday season as well. How can I not sing “Po’ Folks Christmas” (Ho-Ho-Ho we was Po’-Po’-Po’) and “Waffle House Christmas?” It wouldn’t be Christmas without those two holiday bell-ringers, now would it?
Bobby Tomberlin and I are driving down to Ft. Payne, Alabama, this week to visit and write with our buddy, Randy Owen, head man from the group Alabama. Both of us are looking forward to that. And it wouldn’t be the Dailey & Vincent Show on RFD-TV every week without the sponsorship of Gus Arrendale and our friends at Springer Mountain Farms chicken. I just recorded a couple of new SMF “Ambassador commercials” for the shows (there’s a picture in our photo section) and you should be seeing those soon.
Even when I’m not touring or appearing at the Opry I manage to stay busy. And I wouldn’t have it any other way.
Right now I’d better get busy with the rest of our newsletter. Thanks for joining us, and I’ll look forward to seeing you right back here again in November. Enjoy the month, and Go Atlanta Braves and Georgia Bulldogs!!

LATEST NEWS
ASK BILL
1) I am a Canadian fan who noticed recently that you once recorded your TV show in Windsor, Ontario. That’s a long way from Nashville. Whyever did you choose Ontario for a location? When I first began my syndicated TV show in 1965, we recorded the programs in Charlotte, N.C., because there was no studio space available in Nashville. After about a year and a half, we were told if we’d move our production to Canada that we’d automatically be on the air coast-to-coast up there which was exciting. The closest Canadian video facility was in Windsor, just across the river from Detroit, so that’s where we went. Unfortunately, the nationwide exposure in Canada never materialized. Broadcasting in color up there lagged behind the United States, too, and we eventually had to find a home back in Nashville. I enjoyed our time in Windsor. Everybody treated us great.
2) Do you have a favorite memory of Dolly Parton that you’d like to share with us? I have many, going back to the night I first met her in a parking lot behind the WSM radio studios. My wife and I had been to a movie with George Hamilton IV and his wife, and we met a young Dolly and her date (Carl?) as we were returning to our car. She had short blonde hair, wore a bright yellow dress, and had that “bouncy” personality which she never lost. The next time I saw her she was singing some vocals for me on a demo session at Bradley’s Barn. That’s when we recorded “If It’s All The Same To You,” which is on my boxed set and my “As Far As I Can See” CD. We saw each other many times across the years, but she provided me with my favorite memory of all when she recorded “Someday It’ll All Make Sense” with me and then agreed to appear with me in the video of that song. I’ll never forget some of the things we talked about that day, and I will forever treasure our friendship.
3) Two of my all-time favorite country artists are Carl Smith and Wynn Stewart. How well did you know each of them? I knew Carl better than I knew Wynn, primarily because Carl lived just outside Nashville and for most of his career, Wynn headquartered on the west coast. Carl was rather private, but if he liked you and felt comfortable around you, he was fun to be with. Not long after his wife, Goldie Hill, passed away I found myself out at Carl’s ranch on a beautiful Sunday afternoon. We sat on his screened porch sipping iced tea and talking country music, quarter horses, sports, and any other subject we might hit on. He was one of my heroes growing up, and I was in awe of simply being there with him. I was a big Wynn Stewart fan as well (he used to tease me about his having been Jan Howard’s original duet singing partner before I came along), but I was never around him all that much. I loved his music, though, and always wished we could have spent more time together. Jan thought the world of him.
4) Our Question of the Month for the first time ever comes from England and a fan named Pat. I thought you’d find it interesting: “We have only visited the Opry once when we came over from England. The audience was given the chance to look around backstage while the show was going on, but we declined. We knew this would be our only opportunity and we wanted to see the show. Can you please tell us what happens when the audience does go backstage?” Well, I’ve never had a reason to personally take the backstage tour myself, but from what I’ve observed the fans get a big taste of our life behind the footlights. They get to see our dressing rooms, the backstage post office where we receive our mail, the myriad of Opry photographs that adorn the backstage walls, and hear a running narrative from a well-trained tour guide who explains much of the Opry’s history and legacy. I don’t think the fans are allowed to step out of line to talk with us or take pictures, but I try to always speak when I pass a tour group in the hallways and let them know we appreciate having them there. You were probably correct in staying in your seats and watching the show, but perhaps next time you visit you can add a backstage tour to your itinerary. I think you’d find it worthwhile.
Quickies: Was your song, “Still,” written from a real life experience? It keeps going through my mind because it’s so true for me. I’d say virtually every song written is from someone’s real life experience whether it’s the experience of the writer or someone else. I didn’t write “Still” from a real life experience but I wrote it BECAUSE of one. I explained it in more detail in my autobiography. Just wondering if Dolly Parton recorded any of your songs and did they chart? The only songs Dolly ever recorded of mine were the two duets that I mentioned earlier: “Someday It’ll All Make Sense” and “If It’s All The Same To You.” I wish I could say she recorded some others, but she didn’t. I just watched an episode of the game show Password Plus with Allen Ludden from 1979. Do you have any memories of Allen from this or other episodes of this show? Also, you wore a pair of white cowboy boots. Just wondering if you still have them? I always enjoyed my appearances with Allen and his wife, Betty White. I was on Password with Allen several times and admired his warmth and professionalism. My wife and I were also with him and Betty on Tattletales, and I often appeared on Match Game with Betty. They were a marvelous couple. I doubt I still have the white boots from 1979, but I have several pair just like them. I am a fan from Italy. I’m wondering when you write the lyrics of a song do you pay attention to the formal aspects like the metric, the phonosymbolism, or the figures of speech as if it were a poem? Or is it more of a spontaneous process? Nothing with me is very “formal,” and I know nothing about writing poetry. Whatever I end up writing is definitely spontaneous. How did it make you feel when you first heard yourself singing on the radio? And how does it make you feel now? The thrill of hearing myself on the radio has never worn off. Everybody wants to feel that something they’ve created is exposed to the widest audience possible. It’s not just about me, though. It’s also knowing that someone else, the DJ or program host, is placing part of his or her job security on my shoulders. They’re trusting that their listeners will stay tuned while I’m singing. That’s also very special. This is the 42nd anniversary of our losing Ernest Tubb. Do you have any stories about him? He was a great man from all that I hear. You heard right. E.T. lent the original “helping hand” to as many or more Nashville newcomers as anyone back in the day, and was the kindest, most patient star I’ve ever known when it came to relating to his fans. I learned a lot from just hanging around and watching him. Plus, I always felt indebted to him because he helped convince Ray Price to record “City Lights.” I am from Australia. I heard talk recently about a group wanting to do a Legends tour here and your name was mentioned. Would you be able to come? I love your country and I’d love to return, but stopped touring after Covid in 2020. I know I would enjoy the shows and the music and the fans, but that’s the longest plane ride I ever took in my life. I’m not sure my ol’ bones would be up to that again! Did you ever perform on any shows with Johnny Horton? I think he only performed on the Opry 4 times, but perhaps you met him there? No, and I never met him when I was at the Louisiana Hayride either. However, I did work a short midwestern tour…three to five days if I remember correctly…with him in 1960 not long before he was killed in the auto crash. And I’ve been a staunch advocate for his induction into the Country Music Hall of Fame for years. Maybe someday.
And maybe someday we’ll get to do this again…like perhaps the first part of November. We need your questions, though, so if you’re curious about anything “country” reach out and let me know. Send your questions of me in care of askbill@billanderson.com or at P.O.Box 888, Hermitage, TN. 37076, and I’ll do my best to answer. If yours is chosen our Question Of The Month, you’ll receive absolutely free any item of your choice from our online store. Stay curious…and I’ll look forward to hearing from you.

LATEST PHOTOS
Opry announcer, Mike Terry, and I sat down in the WSM radio studios recently to record a couple of new “Ambassador infomercials” for Springer Mountain Farms chicken. Mike asked me questions about my career in an interview setting, then I wrapped it up with a promotional plug for SMF products. You can see these this fall airing during the Dailey & Vincent Show Saturdays on RFD-TV.
I thought you might like to see what my Icon trophy from the Academy of Country Music looks like close-up. And you’re wondering, just like I did when I first saw it, why it says “2025” if it was presented this year. I have no idea, but it’s probably either because the award was on the ACM books as a 2025 gift or the engraver simply made a mistake. When I find out I’ll let you know. Regardless, it’s a beautiful piece that I treasure….and FYI, it’s much heavier than it might look!
When Jeff Womack came to my office recently to interview me for an episode of Nashville Insider, he told me he had a surprise for me when the interview was over. I never suspected it might be one of the original “to go” boxes from the early days of our Po’ Folks restaurant chain in the eighties. Back in those days, long before Doordash and UberEats, if you wanted restaurant food at home you went to the restaurant, placed your order, and carried it home in a box similar to this. I saw hundreds of these boxes go out the door when I was the spokesperson for Po’ Folks. Jeff had me autograph this one for him…and promised me he’d keep it forever. Our interview should be airing soon.
LATEST JOURNAL
The last thing Dolly said to me was, “Bill Anderson – I will Always Love You.” She was looking me in the eye from the giant video screen in the the Grand Ole Opry House on the occasion of my 65th Opry Anniversary a few weeks ago. She was smiling as only Dolly could, making my night even more special than it already was. The news of her passing has rocked my world, but as we sang together back in 2023, “Someday It’ll All Make Sense”